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  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP, Tim Loughton MP, Kate Hoey MP, Fabian Hamilton MP, and Lord Howarth  following a short multi-faith service led by Canon Jane Hedges from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    GBPhotos9480.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP, Tim Loughton MP, Kate Hoey MP, Fabian Hamilton MP (pictured), and Lord Howarth following a short multi-faith service led by Canon Jane Hedges from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    GBPhotos9476.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP, Kate Hoey MP, Fabian Hamilton MP, and Lord Howarth (centre group from L to R) following a short multi-faith service led by Canon Jane Hedges (Right) from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    SentGBPhotos9473.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP, Tim Loughton MP, Kate Hoey MP, Fabian Hamilton MP, and Lord Howarth (L to R) following a short multi-faith service led by Canon Jane Hedges from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    GBPhotos9477.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Kate Hoey MP, Lord Howarth and Fabian Hamilton MP, (L to R) following a short multi-faith service led by Canon Jane Hedges from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    GBPhotos9472.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP, Tim Loughton MP, Kate Hoey MP, Fabian Hamilton MP, and Lord Howarth (L to R) following a short multi-faith service led by Canon Jane Hedges from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    GBPhotos9478.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP, Tim Loughton MP, Kate Hoey MP (pictured R), Fabian Hamilton MP, and Lord Howarth following a short multi-faith service led by Canon Jane Hedges from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    GBPhotos9468.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Kate Hoey MP, Lord Howarth and Fabian Hamilton MP, (L to R) following a short multi-faith service led by Canon Jane Hedges from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    GBPhotos9471.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP, Tim Loughton MP, Kate Hoey MP, Fabian Hamilton MP, and Lord Howarth (centre group from L to R) following a short multi-faith service led by Canon Jane Hedges  (2nd Right) from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    SentGBPhotos9479.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP, Tim Loughton MP, Kate Hoey MP, Fabian Hamilton MP, and Lord Howarth (L to R) following a short multi-faith service led by Canon Jane Hedges from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    GBPhotos9470.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP, Tim Loughton MP, Kate Hoey MP, Fabian Hamilton MP, and Lord Howarth (L to R) following a short multi-faith service led by Canon Jane Hedges from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    GBPhotos9469.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP, Kate Hoey MP, Fabian Hamilton MP, and Lord Howarth (L to R) following a short multi-faith service led by Canon Jane Hedges from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    SentGBPhotos9475.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP,  Kate Hoey MP, Fabian Hamilton MP, and Lord Howarth (centre group from L to R) following a short multi-faith service led by Canon Jane Hedges (2nd Right) from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    GBPhotos9474.jpg
  • A wreath is laid  at The Memorial for Innocent Victims of war and oppression by Simon Hughes MP, Tim Loughton MP, Kate Hoey MP, Fabian Hamilton MP, and Lord Howarth  following a short multi-faith service led by Canon Jane Hedges from Westminster Abbey. MPs from the All Party Parliamentary Group for Tibet attended the annual ceremony in memory of Tibetans who have lost their lives since the Uprising in 1959. Westminster Abbey, London, UK 12 March 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    SentGBPhotos9481.jpg
  • Mark Wallinger with Canon Oakley - Kate Allen Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 26.jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • You can't fire a canon from a rowing boat by Christine Stark £15000 - The Royal Academy’s 249th Summer Exhibition - co-ordinated by Eileen Cooper RA. The hanging committee will consist of Royal Academicians Ann Christopher, Gus Cummins, Bill Jacklin, Fiona Rae, Rebecca Salter and Yinka Shonibare. This year, the Architecture Gallery will be curated by Farshid Moussavi RA. The exhibition, sponsored by Insight Investment is open to the public 13 June – 20 August 2017. London 07 June 2017.
    RA Summer Exhibition GBPhotos 09.jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Amnesty staff with victims names on their t-shirts - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Amnesty staff with victims names on their t-shirts - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Amnesty staff with victims names on their t-shirts - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Amnesty staff with victims names on their t-shirts - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with Kate Allen - Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s (All pictured) ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Amnesty staff with victims names on their t-shirts - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with Kate Allen - Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with Kate Allen - Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with Kate Allen - Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Kate Allen (pictured), Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral - pictured), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger snaps his sculpture - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 30.jpg
  • Jeremy Deller, The Battle of Orgreave Archive (an injury to one is an injury to all), 2001 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 27.jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 23.jpg
  • Francis Danby, The Deluge, 1840 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 21.jpg
  • Jeremy Deller, The Battle of Orgreave Archive (an injury to one is an injury to all), 2001 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 20.jpg
  • Jeremy Deller, The Battle of Orgreave Archive (an injury to one is an injury to all), 2001 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 18.jpg
  • James Barry, King Lear weeping over the dead body of Cordelia, 1786 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 17.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 15.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 14.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 11.jpg
  • Dexter Dalwood’s The Poll Tax Riots  - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 09.jpg
  • Philip James de Loutherbourg’s The Battle of the Nile 1800 with Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 08.jpg
  • Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 07.jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 05.jpg
  • John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 04.jpg
  • John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 03.jpg
  • John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 02.jpg
  • Canon Rebel 2014 and Electric Jesus 2014 by Thomas Mailaender - Saatchi Gallery’s autumn show ICONOCLASTS: Art out of the Mainstream opens on 27th September 2017. It comes exactly 20 years after Charles Saatchi’s exhibition Sensation which launched the careers of the Young British artists. ICONOCLASTS explores the work of 13 ground breaking British and international artists whose image-making practice is unorthodox.
    Saatchi Iconoclasts GBPhotos 12.jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • A boy is puzzled by Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • A child plays on the steps in front of Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Ecce Homo - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Amnesty staff with victims names on their t-shirts - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Amnesty staff with victims names on their t-shirts - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger with his work - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s (All pictured) ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Mark Wallinger snaps his sculpture - Kate Allen, Director of Amnesty International UK, helped by Canon Mark Oakley (Chancellor of St Paul’s Cathedral), installs Mark Wallinger’s ‘Ecce Homo’ statue at St Paul’s Cathedral. The life-size sculpture shows the figure of Jesus Christ and was the first artwork to be shown on Trafalgar Square’s fourth plinth in 1999.Mark Wallinger, who won the Turner Prize in 2007, said: "This vulnerable figure will stand at the top of the steps outside the entrance to St Paul’s Cathedral as we approach Easter to highlight the plight of people around the world who are imprisoned and whose lives are threatened for speaking the truth, and for what they believe.”
    Amnesty Wallinger Ecce Homo GBPhotos...jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 29.jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 28.jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 25.jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 22.jpg
  • Jeremy Deller, The Battle of Orgreave Archive (an injury to one is an injury to all), 2001 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 19.jpg
  • James Barry, King Lear weeping over the dead body of Cordelia, 1786 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 16.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 13.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 12.jpg
  • Dexter Dalwood’s The Poll Tax Riots  - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 10.jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 06.jpg
  • John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 01.jpg
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